Iran win at Berlin film festival called ‘free speech triumph’
BERLIN: The Berlin film festival wrapped up on Sunday after awarding its Golden Bear top prize to Iranian dissident director Jafar Panahi, in a move hailed as a triumph for freedom of expression.“Taxi” is Panahi’s third picture smuggled out of Iran in defiance of an official 20-year filmmaking ban, imposed
By our correspondents
February 16, 2015
BERLIN: The Berlin film festival wrapped up on Sunday after awarding its Golden Bear top prize to Iranian dissident director Jafar Panahi, in a move hailed as a triumph for freedom of expression.
“Taxi” is Panahi’s third picture smuggled out of Iran in defiance of an official 20-year filmmaking ban, imposed for a documentary he tried to make on the unrest following Iran’s disputed 2009 presidential election.
Panahi, who is also barred from travelling abroad and could not attend the festival, said on Sunday he was pleased about the award but wished cinemagoers in Iran could watch his films.
“No prize is worth as much as my compatriots being able to see my films,” he said in a rare interview with Iranian media.
“The people in power accuse us of making films for foreign festivals,” he told the semi-official Ilna news agency on behalf of Iranian directors.
“They hide behind political walls and don’t say that our films are never authorised for screening in Iranian cinemas.”
Hollywood director Darren Aronofsky, the jury president at the 65th Berlinale, said at a gala awards ceremony late Saturday that Panahi had surmounted restrictions that had the power to “damage the soul of the artist”.
“Instead of allowing his spirit to be crushed and giving up, instead of allowing himself to be filled with anger and frustration, Jafar Panahi created a love letter to cinema,” Aronofsky said.
The 54-year-old Panahi’s young niece Hana Saeidi, who appears in “Taxi” along with the director, wept as she picked up the statuette for him and held it aloft for the cameras.
German Foreign Minister Frank-Walter Steinmeier hailed the choice among 19 films in the competition as “an important symbol for artistic freedom”, as commentators noted the principle was under threat around the world.
Berlin newspaper Der Tagesspiegel wrote in a front-page editorial Sunday that the festival had shown that “especially in these days of global unrest, art and political consciousness can light a beacon”.
News website Spiegel Online said the Golden Bear sent “an important message against the restriction of art”, calling it a “triumph for free speech”.
“The Berlinale remains political,” it said, noting the festival’s reputation for championing edgy, topical cinema.
Saeidi wept “tears of joy that the world took note of the fate of her uncle, standing in for many more artists threatened with censorship and repression in Iran and other countries that restrict artistic and personal freedom,” it said.
Panahi’s last movie shot in secret, the 2013 elegiac “Closed Curtain”, won a Silver Bear in Berlin for best screenplay, drawing protests from the Iranian governmen
“Taxi” is Panahi’s third picture smuggled out of Iran in defiance of an official 20-year filmmaking ban, imposed for a documentary he tried to make on the unrest following Iran’s disputed 2009 presidential election.
Panahi, who is also barred from travelling abroad and could not attend the festival, said on Sunday he was pleased about the award but wished cinemagoers in Iran could watch his films.
“No prize is worth as much as my compatriots being able to see my films,” he said in a rare interview with Iranian media.
“The people in power accuse us of making films for foreign festivals,” he told the semi-official Ilna news agency on behalf of Iranian directors.
“They hide behind political walls and don’t say that our films are never authorised for screening in Iranian cinemas.”
Hollywood director Darren Aronofsky, the jury president at the 65th Berlinale, said at a gala awards ceremony late Saturday that Panahi had surmounted restrictions that had the power to “damage the soul of the artist”.
“Instead of allowing his spirit to be crushed and giving up, instead of allowing himself to be filled with anger and frustration, Jafar Panahi created a love letter to cinema,” Aronofsky said.
The 54-year-old Panahi’s young niece Hana Saeidi, who appears in “Taxi” along with the director, wept as she picked up the statuette for him and held it aloft for the cameras.
German Foreign Minister Frank-Walter Steinmeier hailed the choice among 19 films in the competition as “an important symbol for artistic freedom”, as commentators noted the principle was under threat around the world.
Berlin newspaper Der Tagesspiegel wrote in a front-page editorial Sunday that the festival had shown that “especially in these days of global unrest, art and political consciousness can light a beacon”.
News website Spiegel Online said the Golden Bear sent “an important message against the restriction of art”, calling it a “triumph for free speech”.
“The Berlinale remains political,” it said, noting the festival’s reputation for championing edgy, topical cinema.
Saeidi wept “tears of joy that the world took note of the fate of her uncle, standing in for many more artists threatened with censorship and repression in Iran and other countries that restrict artistic and personal freedom,” it said.
Panahi’s last movie shot in secret, the 2013 elegiac “Closed Curtain”, won a Silver Bear in Berlin for best screenplay, drawing protests from the Iranian governmen
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