Sixth death anniversary of Jamil Naqsh observed

The sixth death anniversary of Jamil Naqsh, one of the most prominent artists of his time, was observed on Friday. Known for his creative brilliance, thoughtful themes and masterful use of colours, Naqsh left an unforgettable mark on the world of art.

Born in the Indian city of Kairana, he migrated to Lahore after the partition of the subcontinent. He received his early education at the Mayo School of Arts (now the National College of Arts).

His work reflects deep emotions of love, empathy and sensitivity. He gained wide acclaim for his iconic paintings of women and pigeons, which continue to captivate art lovers around the world.

Whether in calligraphy, still life or portraiture, he demonstrated exceptional mastery in every form of visual expression. A museum in Karachi’s Defence area, managed by his son, houses his remarkable paintings and personal belongings.

Naqsh’s unique artworks are also part of prestigious collections in both national and international museums. Recognising his artistic contributions, the Government of Pakistan awarded him the Pride of Performance and the Sitara-e-Imtiaz. The legendary artist passed away on May 16, 2019, leaving behind a rich legacy that continues to inspire.

In the world of art, Naqsh is undoubtedly known as a unique and distinguished painter at both national and international levels. He is an artist recognised for his artistic skill and profound exploration of the subjects in his art.

Born in the city of Kairana, India, on December 25, 1939, Naqsh inherited a creative sensibility from his cultural background. At the age of eight, he moved from India to Pakistan, where he faced the challenges of life alone.

Initially he received training in miniature painting under the tutelage of Ustad Sharif, but later he independently navigated the long stages of learning. His creative mind avoided all forms of imitation, and established his unique identity in the world of art.

His art covers a wide range of subjects, including his popular subjects like ‘woman and pigeon’, along with miniature painting, calligraphy and still life. His renowned series ‘Fisherwoman of Mohenjodaro’, comprising over 200 artworks, effectively reflects the 5,000-year-old civilisation and culture.

Looking at his paintings, one can clearly sense that he has established a relationship between his painting and his environment, his thousands of years old cultural traditions and everything linked to the universe. This is why each of his creations possesses a deep individuality that we can only attribute to Naqsh himself.

Drawing is an essential element in his art. Every line carries the character of the composition. His command over the line reflects his complete grasp of the traditional methods of painting.

Distinguished critics of art consider him to be ‘The Painter’s Painter’. He is counted among those great painters who, while being aware of the classical traditions and contemporary trends of art, opened new avenues in their painting, through which one experiences a sense of uniqueness, continuity and permanence in his work.

Another distinctive aspect of his paintings is that they possesses a world of possibilities for future generations, and this is his greatest contribution through his art. He will always be remembered as a legend.

The Jamil Naqsh Museum in Karachi has attempted to keep the art and thought of this great artist spanning six decades alive, and this museum serves as a learning institution for enthusiasts, critics and students of art.

Jamil Naqsh Museum