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Vibrant embroideries enhance the natural beauty of preserved leaves

By US Desk
Fri, 03, 22

Lined with brown edges, the perfectly preserved surfaces become more fragile as they age, and the threaded embellishments enhance the relationship between the natural and fabricated....

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Vibrant embroideries enhance the natural beauty of preserved leaves

Favoring thread and found materials, Richmond-based artist Hillary Waters Fayle works at the intersection of textile traditions and botany. “Stitching, like horticulture, can be functional,” she says, “a technical solution to join materials/a means of survival. Or, both can be done purely in service of the soul, lifting the spirit through beauty and wonder.”

Vibrant embroideries enhance the natural beauty of preserved leaves

Fayle’s practice embodies this sentiment with elaborate and colorful embroideries applied to dried leaves. Lined with brown edges, the perfectly preserved surfaces become more fragile as they age, and the threaded embellishments enhance the relationship between the natural and fabricated.

The ‘Turn off the plastic tap’ Project

Vibrant embroideries enhance the natural beauty of preserved leaves

Recently, representatives from 175 nations formally agreed to curb plastic pollution in a momentous move. Plastic has become an increasingly urgent part of the climate crisis, and recent estimates approximate that the total amount of the material produced throughout history exceeds the combined weight of all animals on land and sea. Each year, we collectively generate 300 million tons more waste from single-use containers and similar products, a staggering number in comparison to the 9 percent we’ve recycled and a testament to the harsh reality that the planet is engulfed with plastic.

To coincide with the United Nations Environment Assembly meeting, photographer and artist Benjamin Von Wong (previously) erected a towering, 30-foot installation outside U.N. headquarters in Kenya. With the help of the Human Needs Project, an NGO providing basic services to slums around the world, Vong Wong collaborated with more than 100 residents of the large, poverty-stricken region of Nairobi known as Kibera. Together, they gathered, sanitized, and strung up three tons of water bottles, condiment containers, and other unwanted items that were then suspended from the oversized silver spigot.

Although it shows a minuscule portion of the waste produced worldwide, the resulting installation, titled Turn Off the Plastic Tap, is a powerful indictment of consumerism and the lack of environmental protections.