The author is an art critic based in Lahore
The art of Waqas Khan travels around physical experience and levels of perception
The art of Nausheen Saeed is about creating beauty out of a substance or idea not necessarily associated with attraction, elegance and grandeur
Maria Waseem photographs lands unexplored, un-trampled, un-protected; and Waseem Ahmed traverses the tradition of Indian miniature painting
Yours Truthfully highlights Aamir Habib’s recent work.
Fall Art Festival-Quetta highlights Balochistan’s political and social situation as well as the religious restrictions
Farazeh Syed finds beauty in flesh; for her, the more the better
Imran Channa tries to connect imagination with tangible objects through his investigation and intervention
Faiza Butt’s superb body of work is on display at her solo exhibition, Super Natural, at Grosvenor Gallery
Artists use textile to unravel conventional notions of art, heritage, nation and identity
Hossein Valamanesh’s art oscillates between materials, sensibilities and concepts
For artists, colours are not concepts but pigments
Most of the works in Minaa Mohsin’s exhibition are images of delicious stuff
Iqbal Geoffrey did not produce conceptual art, nor collages, paintings or sculptures, he created and added to the genre of Iqbal Geoffrey
Curated by Mariam Hanif Khan, the exhibition, Letters to Pakistan, features the works of 14 artists
The most sacred personalities in Christianity were ‘translated’ into white divinities
Many of the popular gadgets have been continuously decreasing in size
In most cases, it is not the state, society or conventions that bar a creative person, but his/ her own success
Artist Kiran Saleem plays with a camaraderie among power, lineage and wealth
Besides his iconic art practice, Rashid Rana has coined the term ‘EART’ to describe moments of self-expression beyond the arts
There is no denying the beauty, visual appeal and pictorial power of the colour red
