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At a Glance thenews

Ghazals

  • No self-pity

    No self-pity

    A testimony to the ghazal’s strange and mystifying diversity.

  • Differential voices

    Differential voices

    Reading Yasmeen Hameed and Ishrat Afreen together

  • Acts of conviction

    Acts of conviction

    Two ghazal poets worthy of notice

  • A dying genre

    A dying genre

    Ghazal was owned by the establishment of the new state as the foremost musical expression of Pakistan, and Mehdi Hasan came to be known as its...

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