Netflix’s latest action comedy Coffee & Kareem is a distasteful mess
Lost Girls tells an important story.
Onward is a touching animated outing.
A strong performance by Elisabeth Moss powers the uneven The Invisible Man; Spenser Confidential is a bland, formulaic action flick.
Sonic the Hedgehog is a whole lot of fun; All the Bright Places is a derivative young adult melodrama.
Fantasy Island is nonsensical; The Last Thing He Wanted is an incoherent mess.
The uneven Birds of Prey is a mediocre DC adventure; P.S. I Still Love You is an unnecessary, bland sequel.
The suspenseful, chaotic Uncut Gems offers a uniquely intense viewing experience.
Dolittle struggles in almost every department; Spies in Disguise is mediocre but occasionally fun.
With the race for the Oscars around the corner, Instep looks at one of the strongest contenders that could cause an upset.
As the race for the Oscars heats up, Instep takes a look at one of the award season’s biggest contenders.
The Two Popes is fascinating despite not being rooted in reality; The Informer doesn’t make the most of its intriguing elements.
The Rise of Skywalker relies heavily on nostalgia; Cats is an uncanny valley monstrosity.
Jumanji: The Next Level is a mediocre but occasionally amusing retread; 6 Underground is abysmal.
The Irishman finds Scorsese contemplating morality and mortality; Marriage Story takes an affecting look at divorce.
Knives Out is a fun whodunnit; Charlie’s Angels is an unimaginative retread.
Frozen II is visually stunning but its narrative is muddled; Klaus is heartwarming albeit fairly predictable.
Maleficent: Mistress of Evil fails to enchant; The King lacks memorability.
Zombieland: Double Tap offers more post-apocalyptic fun.
In the Tall Grass** *ing: Laysla De Oliveira, Avery Whitted, Will Buie Jr., Harrison Gilbertson, and Patrick Wilson Directed by Vincenzo...
