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Dialogue
“The purpose for the film is to be seen, awards or no awards”
Joyland’s writer-director Saim Sadiq on his evolution as a filmmaker, social taboos as his choice of subjects, and the kind of movies that speak to him
By
Usman Ghafoor
June 26, 2022
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Lashes for lies
Fighting the fascists
Dicey weather
Protecting fundamental rights
The attack on Alan Duncan
Rehabilitating rain-hit areas in Balochistan
A taxing problem
The rise of edge computing
Senate elections in Balochistan
Mysteries of death
What enquiry committees do
Breaking the standstill
Forests on the line
Israel’s war on medics
The languages we speak
Nothing to fall back on