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Art & Culture
Mapping identity
Farrukh Addnan’s work highlights the inherent hierarchies of power and protection
By
Aasim Akhtar
|
November 28, 2021
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A language by any name
The grace of words
Reclaiming refusal
From salons to Iqbal
Lost lives of a painter
Who owns the Taj Mahal?
A world beyond words
The Lahore that was
From Mirza to Mirza
The voice that carried a nation
A life in lines
Karachi’s quiet cultural revival
Viewers as curators
Swords and sarangis
Post-colonial miniature painting
The lost music of the rababis
Being and other objects
The voice that shaped Pakistani cinema
Three cheers for Ayaz Jokhio
Limits of cultural protest