I am a writer and feminist based in Karachi. My Twitter handle is @journalofsad
The film fails the politics of representation, but pushes the politics of craft
Empress Market is ‘cleaned-up’. Now, only rubble remains
Filtered through the prism of years, Nepal opens a floodgate of memories altered by time and architecture
It is part disillusionment with the conventional understanding of family, and part rejection by society, that leads single men and women to forge...
Do women have the right to engage with their surroundings without an express purpose?
What followed after some feminists in India put together a list that named and shamed harassers in academia
The Karachi Biennale has been credited with reviving spaces in the old town, but is it an equitable and thoughtful revival?