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Aarish Sardar
Aarish Sardar

  • An immersive  experience

    An immersive experience

    An ongoing exhibition of 34 almost life-size reproductions of Michelangelo’s famed Sistine Chapel frescoes

  • Objecthood: the decolonised viewpoint

    Objecthood: the decolonised viewpoint

    In her work, Mehwish Abid, a Lahore-based architect and a seasoned academic, is distinctively interested in exploring art and architecture journalism

  • For the love of cars

    For the love of cars

    Exploring the wide collection of vehicles on display in the British Motor Museum

  • Preserving the past

    Preserving the past

    Investigating modernist logos and brand marks from Pakistan’s visual history

  • New learning

    New learning

    Physical books were essential for everyone a few decades ago, but the digital format now rules the research world

  • A survey of   cryptographically signed artefacts

    A survey of cryptographically signed artefacts

    NFT +92 was a timely exhibition of a few minted works for only two days, curated by a crucial diaspora artist and creative director, Saks Afridi

  • On visual and material syntax

    On visual and material syntax

    One can effortlessly see fascinating biomorphic studies in Rameesha Azeem’s solo exhibition, titled My World Afloat

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