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Encore
On visual and material syntax
One can effortlessly see fascinating biomorphic studies in Rameesha Azeem’s solo exhibition, titled My World Afloat
By
Aarish Sardar
|
Published April 03, 2022
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A language by any name
The grace of words
Terror strikes again
Reclaiming refusal
From salons to Iqbal
Winds of change
Lost lives of a painter
Who owns the Taj Mahal?
Diplomatic reset
A world beyond words
The Lahore that was
Precarious peace
From Mirza to Mirza
The voice that carried a nation
Gaza post-bellum
A life in lines
Karachi’s quiet cultural revival
Ceasefire at last
Viewers as curators
Swords and sarangis