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Art & Culture
Why Shakespeare is Shakespeare
Review of NAPA Repertory Theatre’s exceptional Urdu production of Shakespeare’s tragedy, King Lear
By
Zarminae Ansari
|
Published January 05, 2020
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A language by any name
The grace of words
Reclaiming refusal
From salons to Iqbal
Lost lives of a painter
Who owns the Taj Mahal?
A world beyond words
The Lahore that was
From Mirza to Mirza
The voice that carried a nation
A life in lines
Karachi’s quiet cultural revival
Viewers as curators
Swords and sarangis
Post-colonial miniature painting
The lost music of the rababis
Being and other objects
The voice that shaped Pakistani cinema
Three cheers for Ayaz Jokhio
Limits of cultural protest