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Art & Culture
Private and personal
An old, to-be-demolished house in Lahore serves as location and context of Rabia Ejaz’s artwork, titled Immaculate Decay
By
Quddus Mirza
|
May 28, 2017
Highlights
Rabia Ejaz’s artwork at an old house in Lahore
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A language by any name
The grace of words
The history and relevance of oath-taking
The price of getting married
Reclaiming refusal
From salons to Iqbal
Performance politics — II
Farewell to arms
Performance politics
Personal air defence
Lost lives of a painter
Who owns the Taj Mahal?
Problematic obedience
The dear deported
A world beyond words
The Lahore that was
The fragile architecture of human progress
No thanks. I’ll stay home
From Mirza to Mirza
The voice that carried a nation