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Art & Culture
Mistaking the mark
In her solo show at Rohtas 2 in Lahore, Rabeya Jalil’s language belongs to a group of artists who use vocabulary of naïve art
By
Quddus Mirza
|
October 02, 2016
Highlights
Rabeya Jalil’s art
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A language by any name
The grace of words
The history and relevance of oath-taking
The price of getting married
Reclaiming refusal
From salons to Iqbal
Performance politics — II
Farewell to arms
Performance politics
Personal air defence
Lost lives of a painter
Who owns the Taj Mahal?
Problematic obedience
The dear deported
A world beyond words
The Lahore that was
The fragile architecture of human progress
No thanks. I’ll stay home
From Mirza to Mirza
The voice that carried a nation