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Art & Culture
Close encounters
In her recent solo show at Rohtas 2, Nisha Hasan adopts a completely different way of arranging her images, both conceptually and formally
By
Quddus Mirza
|
January 25, 2015
Highlights
Nisha Hasan at Rohtas 2
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A language by any name
The grace of words
The history and relevance of oath-taking
The price of getting married
Reclaiming refusal
From salons to Iqbal
Performance politics — II
Farewell to arms
Performance politics
Personal air defence
Lost lives of a painter
Who owns the Taj Mahal?
Problematic obedience
The dear deported
A world beyond words
The Lahore that was
The fragile architecture of human progress
No thanks. I’ll stay home
From Mirza to Mirza
The voice that carried a nation