Miniature and its potential
The young miniaturists who have come into their own during the 1990s and 2000s have no experience of colonialism; they do not exhibit any of the apologetic guilt at being artists. Many of them profess a postmodernist orientation: having recovered for themselves a buoyant confidence in relation to the archive of the world’s heritage
Highlights
- The young miniaturists have no experience of colonialism and they do not exhibit any of the apologetic guilt at being artists