MOSCOW: In a Moscow theatre, an unusual adaptation of the British classic children´s book "Alice in Wonderland" has the audience erupting in laughter.
The musical sees Alice escaping from prison with the help of the White Rabbit and travelling through a Wonderland that turns out to be a lot like today´s Russia.
Nearly every scene is a parody of modern life in the country, from the Caterpillar demanding Alice hand over her identity papers to the Queen of Hearts imposing a ban on "everything".
It is one of many bold performances staged in the Russian capital, where contemporary theatre with a political twist is booming despite a recent crackdown by the authorities.
"It´s hard to live in Russia if you have no sense of irony," the musical´s director Maxim Didenko tells AFP.
"If you took everything seriously, you could go mad."
Didenko has staged several surprising re-inventions of Russian and Soviet classics -- many of them musicals that are elaborately costumed, humorous and often have political undertones.
Speaking in Moscow´s Taganka Theatre, he says the play -- called "Run, Alice, Run" -- was his reaction to the arrest of leading theatre and film director Kirill Serebrennikov, which shook Moscow´s theatre circles in August 2017.
Serebrennikov has since then been on trial accused of embezzling state funds. His supporters see the case as part of a growing clampdown on artistic freedom under President Vladimir Putin.
Siberian-born Didenko is one of many arts figures to attend the ongoing trial of Serebrennikov, whom he describes as a role model who "completely changed" Russian theatre.
He says that even the courtroom is a drama in itself.
"It´s also a kind of theatre. You leave your coat, take a seat and listen," he says. "It´s like a performance."
Didenko says that he strives for all his works to "reflect the reality" of today´s Russia.
But there are topics he steers clear of, such as religion, which he sees as "too sensitive" given Russia´s strict legislation on offending believers.
"I rely on my own internal compass, I hope that´s enough," he says.
Boris Mezdrich knows the price that theatre directors can pay in Russia if authorities believe they go too far on stage.