blame the politicians of the area.
Jam Mitho received nine prominent awards nationally and internationally for his contribution and representing Pakistan to international exhibitions. He has set of suggestions for governments to promote all 33 main crafts through setting up such institutes to awards Diploma courses certificates, in which jandi (Lacquer work), Kashi, Ajrak, Khadhi, Thari Shawl, and variety of hand embroidery and recognise these works as industries.
Mitho belongs to the famous artisan family in Hala Old and has been practicing jandi, the specialization for 45 years with providing training to hundreds of followers to save the ancient work. He claims to have been gifted through generation to generation by his ancestors.
Jam Mitho, the Chairman Sindh Artisans Technician and Health Society and in-charge of Artisan Colony Bhit Shah for five year now is associated with Sindh Indigenous and Traditional Crafts Company (Sitco) at Buit Shah.
There are main government institutions like Sindh Small Industries Corporation, Culture Departments, Sindh Social Welfare Department and now Trade Development of Pakistan (TDP) to promote this indigenous crafts. But Sindh Small Industries Corporation is almost dead due to mishandling of the major organization, pushing the traditional artisans in the province.
The artisans also blame that certain officials of the Culture Department are not interested to launch projects for promoting these crafts and their artisans. Social Welfare Department is looking after smaller works at community level and promotes hand embroidery and other works, which the poor women prepare in villages.
TDP and other national institutions are also reluctant to promote these forgotten products to introduce the same to the world markets and bring foreign exchange. These are also demands for these artisans for finding world markets and give incentives to the workforce.
Bhit Shah Artisan Colony: Bhit Shah Artisan Colony, comprising 65 quarters and 10 shops, was built earlier but it was handed over to some families in 1983. This was still controversial issue and allegedly it was politician’s decision for allotment. Hence, the occupants sold out homes and shops and shiftedto their villages. Now there are a few centers of ajrak and jandi in Bhit Shah town, which has only 100 artisans struggling to save the ancestral works without government’s sponsorship.
The one center Sindh Indigenous and Traditional Crafts Company (Sitco) at Bhit Shah, running Jam Mitho has adapted modern skill of wooden block in ajrak and the modern design in jandi, to attract local buyers and exporters. But he said that despite attractive markets locally and internationally only exporters get benefit and not the actual artisans.
Matiary district has more centers of ajrak and jandi, which are playing role to promoting the work and major artisans earn living for their survival. The major demand of these artisans is to initiate financial assistance including introducing life insurance and pension after retirement for the skilled workers like other government departments so the workers may live a secured life.
There is another project of the provincial government with Rs50 million for training to 200 young artisans through major works so they may got better livelihood. But the irony is that the government officials are reluctant to take the scheme move ahead.
The artisans giving example saying that Nasarpur town was the major center of these traditional works for long. But, because of financial losses and lack of their assistance the artisans have shifted hands to another livelihood works for their survival. This artisan town of Nasarpur was famous of making Lugi, Susy and Ceramic, which now may me be smaller work there, engaged some workforce.
This art of Jandi remained transferred from one hand to another hand. It is said that after the fall of Mughal emperor due to economical disaster this art did not get proper support and ruined up and remained in the week hands of the craftsmen, who with their struggle again made efforts and preserve this art.
Despite some sincerer efforts the government of Pakistan could not extend helping hand to sponsor these artisans who have been working through their forefathers. There are a few artisans and loving culture within government sectors and private people, who are struggling to support the artisans.