Kabul seems different. There is a sense of tiredness that, for the first time in many years, is dramatically tangible
It is hot. I sweat slowly. Deciding to come back to Kabul has been difficult: from afar, the idea of gathering enough strength to face the journey is overwhelming, something that seems beyond actual capability.
But then, it only takes a second: the doors of the plane open and Kabul welcomes you with her typical heatwave, with that sultry air that smells of dust and that, for some obscure reason, makes you feel at home. It only takes a second and the city, with her inexplicable charm, absorbs you and makes you part of her again – seamlessly.
Kabul is always the same, yet this time everything seems different. There is a sense of tiredness that, for the first time in many years, is dramatically tangible. I spent the whole of last week adding names to the long list of those who have left the country. Those who can, leave: exhausted by war and the lack of a horizon. In a country without a present like Afghanistan, this brain-drain is a death sentence for the future.
Yesterday a good friend, one of the most talented young artists in town, wrote me to say that he hopes to come and show me his new drawings soon. He went on updating me about the fact that he was not entirely happy with the progress of his work: for several months he could not draw as he ran out of paper. Luckily, he added, he had gone on a trip to Pakistan with his family and hence could buy more paper and resume drawing.
The matter of fact tone with which he wrote stayed with me: there was no resentment. This is how things are here, it is normal not to have paper and not to be able to draw: there’s not much else to add.
It is from this lack of paper that I should probably restart as well.
My new office is in the greenhouse of one of the most beautiful old buildings in Kabul: it stayed surprisingly intact despite decades of bombs. In Dari, the greenhouse is calledgulkhana,the flowers’ house. At this time of the year, its heat is unbearable, but I specifically asked to sit there: I thought it would be a beautiful starting point. My desk is surrounded by windows and flooded with light: it is torrid in this season, but it carries the promise of a gentle warmth during the long winter.
I look around and I am happy about the choice I made. It makes sense to be here: it makes sense to be here now. It makes sense, but I wonder how to feed the determination to keep going with what may somehow seem an ungrateful task: to work towards the future with no guarantee of immediate results in the present.
The promise and the vision of a broader perspective that goes beyond contingencies is certainly a source of motivation, but finding the root of that motivation in the little everyday steps is another matter. I hope I’ll stay lucid enough to be able to keep reminding it to myself.
The windows of the gulkhana face the garden, which is never barren as it has been designed around the cycle of seasons, around the tireless, round pace of time: simple, unpretentious wisdom that has a lot to teach.
The writer is a resercher and writer based in Kabul. Her work focuses on cultural practices in countries in conflict. She tweets kiccovich